Selasa, 03 Juni 2014

Don't Fear the Nipple! part 3 - Još malo o tome zašto se Scout Willis skinula, koja pametna Toma Forda i zaključak!



Možda vam se čini kao da dosta pričamo o cicama, ali to je vječito u svrhu senzacionalizma i uvijek se ta nesretna sisa stavlja u kontekst seksualnog, a ne prirodnog i čistog. Kako je i sama Scout Willis za Xojane.com objasnila: " Nažalost, naglasak medija bio je na senzacionalizaciji mojih grudi, prvenstveno u okvirima moje obitelji. Shvaćam da me ljudi ne uzimaju ozbiljno. Ili bi me radije otpisali kao privilegiranu, neupućenu bijelu curu koja pokušava pridobiti pažnju. Bijela sam i rođena u financijski privilegiranoj obitelji visokog profila. Nisam izabrala svoj javni život, ali on mi jest dao ovu platformu, platformu koja pomaže da tjelesna politika bude vrijedna zanimanja medija. Svakako ne činim ništa novo. Jedna grupa ovdje u New Yorku koja se zove Topless Pulp redovito se sastaje kako bi čitala u parku u toplesu, a Free The Nipple kampanja bori se za ista prava već četiri godine. Ako moje podrijetlo može pomoći tome da se njihova poruka proširi, neka tako i bude. Ne sramim se toga tko sam...Također, neki me ljudi kritiziraju jer bradavice povezujem s pitanjem jednakosti. Po meni, bradavice su sam ključ problema. 30 -ih godina prošlog stoljeća muške su bradavice bile jednako provokativne, sramotne i taboo, kao što su ženske sad, a muškarci su prosvjedovali na jednak način. 1930. četiri muškarca prošetala su se po Coney Islandu u toplesu te su uhićena. 1935. od grupe okupljenih muškaraca u toplesu podrijetlom iz Atlantic Citya, njih 42 je uhićeno. Muškarci su se borili i njihov glas se čuo, na taj način oni su promijenili ne samo zakone, nego i društvenu svijest. Do 1936. muška gola prsa bila su prihvaćena kao norma.Stoga, kako to da 80 godina kasnije žene ne mogu postići isto za svoje grudi? Zašto majka ne može ponosno dojiti svoje dijete u javnosti bez da se osjeća seksualizirano? Zašto se 17- godišnjakinju moli da ode s vlastite maturalne jer grupa očeva misli da je preprovokativna? Zašto bih se osjećala prekomjerno izloženo ako odlučim da neću nositi grudnjak...Ono za što se borim je pravo žene da predstavi svoje tijelo onako kako ona želi te da se ne boji kako će ljudi reagirati i hoće li je društvo osuđivati."

Pred kraj pisanja ovog članka u tri dijela, naišla sam i na vijest o zabrani postera za novi Sin City koji je čini se lansiran na vrhuncu Fear the Nipple kampanje (o kojoj hrvatski mediji uopće ne pišu). Naime, poster za Sin City: A Dame To Kill For zabranjen jeod strane Motion Picture Association of America jer zvijezda filma Eva Green na istom izgleda preseksi držeći pištolj, odjevena tek u tanki prozirni ogrtač ispod kojeg joj se naziru grudi i oh ne, još gore od grudi – bradavice!! Na plakatu kritične su bile, citiram: "Krivulje ispod grudi i tamno područje oko bradavica vidljivo ispod tanke haljine." Pištolj, oružje i sredstvo kojim se ljudi doslovno ubijaju je manje opasno od ženske bradavice??



Na kraju se čitava priča svodi na to da :

a) Društvo na sise gleda isključivo u seksualnom kontekstu jer zašto bi žena pokazivala sise nego da uzbudi muškarca? Osim što je ovakav stav heteronormativan, vrlo je primitivan i iznimno degradirajuć za ženu.

b) Društvo jos uvijek na žene gleda kao na vlasništvo, samo što smo toliko naviknuti na to da ljudi ne razumiju o čemu je zapravo riječ. 



I konačno završila bih riječima Toma Forda. Poznati nesimpatizer socijalnih mreža i čovjek koji  nam je pokazao više cica, guzica i pičaka nego svi ikad u modnom svijetu, za Style.com rekao je: "Korisnike ne zanimaju osvrti ili hard copy publikacije. Njih zanima koju je sliku Rihanna stavila na Instagram dok je gola u krevetu, koje nove cipele ima i što ima za reći o njima. To je ono na što oni reagiraju...To ne znači da mi nije stalo do tuđih osvrta ili recenzija....ali danas svi imaju glas, tako da najglasnija osoba je ona koju će svi slušati. U ovom slučaju to je Rihanna s 13 milijuna followera." Ford je također objasnio kako stvari u modi i medijima vrlo jednostavno funkcioniraju - dizajneri naprave komad, stave ga ne Beyonce ili Rihannu, plate istima da se pojave na reviji i svi pa i one same tvitaju o tome. Takav je PR bolji od bilo čega pa i od pozitivne kritike najvećih modnih kritičara. Stoga, recite mi zašto je u redu da tvitamo o novim lijepim Rihanninim cipelama, ali ne i njenim lijepim cicama? Nije li baš tu vidljivo licemjerje našeg društva? I upravo u ovom pogledu, Rihannin čin, kao i onaj Scout Willis ima doseg političkog čina, jer one su te koje imaju mogućnost utjecaja na ono o čemu će ljudi misliti i kako će o tome misliti, jer one su te koje imaju mogućnost da ženama kažu - volite svoje tijelo i ne sramite ga se, s našim cicama je sve, baš sve u redu! Tko je Instagram da nam kaže drugačije!



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3 - A bit more about why did Scout Willis took of her clothes, few smart words from Tom Ford and the conclusion!


It may seem like we talk a lot about boobs, but it is always for the purpose of sensationalism and always that unfortunate tit is put in the context of sexual rather than natural and pure. As Scout Willis for Xojane.com explained : " But unfortunately the emphasis in the press has been on sensationalizing my breasts, chiefly in terms of my family.I understand that people don’t want to take me seriously. Or would rather just write me off as an attention-seeking, over-privileged, ignorant, white girl. I am white and I was born to a high profile and financially privileged family. I didn’t choose my public life, but it did give me this platform. A platform that helps make body politics newsworthy. I am certainly not doing anything novel. A group here in New York called Topless Pulp gathers in parks to read topless regularly, and the Free The Nipple campaign has been protesting for the same rights for the last four years. If my coming from a high-profile family could help spread their message, so be it. I am not ashamed of who I am. There are also some people who would criticize my choice to relate nipples with equality at all. To me, nipples seem to be at the very heart of the issue. In the 1930s, men’s nipples were just as provocative, shameful, and taboo as women’s are now, and men were protesting in much the same way. In 1930, four men went topless to Coney Island and were arrested. In 1935, a flash mob of topless men descended upon Atlantic City, 42 of whom were arrested. Men fought and they were heard, changing not only laws but social consciousness. And by 1936, men’s bare chests were accepted as the norm. So why is it that 80 years later women can’t seem to achieve the same for their chests? Why can’t a mother proudly breastfeed her child in public without feeling sexualized? Why is a 17-year-old girl being asked to leave her own prom because a group of fathers find her too provocative? Why should I feel overly exposed because I choose not to wear a bra? I am not trying to argue for mandatory toplessness, or even bralessness. What I am arguing for is a woman’s right to choose how she represents her body -- and to make that choice based on personal desire and not a fear of how people will react to her or how society will judge her."


Towards the end of writing this article in three parts, I came across the news about new Sin City poster, which seems to be launched at the height of the Fear the Nipple Campaign, has been banned. The poster for Sin City: A Dame To Kill For was banned by Motion Picture Association of America since lead movie star Eva Green looks too sexy holding a gun, dressed only in a thin transparent cloak beneath which her bare breasts and oh no, worse than breast – nipples, are seen! On the poster were critical, and I quote: "The curves below the breasts and the dark area around the nipple visible beneath the thin dress." A gun, a weapon used to kill people is less dangerous than the female nipple ?



At the end the whole story boils down to :

a) The society still looks at female breast only in a sexual context, because why would a woman show her boobs if she doesn't want to arouse the man? Besides being heteronormative, such attitude is also very primitive and very degrading to women.

b ) The society is still looking at women as property, we are just so used to it that we don't understand what is really the problem.


And finally I finish with the words of Tom Ford. Famous disliker of social networks and the man who showed us more boobs, asses and pussies than anybody in the fashion world ever has. In an interview for Style.com he said : "Customers don't care any more about reviews or hard-copy publications. They care what picture Rihanna just Instagrammed while she's naked in bed, what new shoes she has on, how she's talking about them. That's what they respond to...It doesn't mean I don't care about reviews..but everyone has a voice now, so the person with the loudest voice is the one people listen to. In this case, Rihanna, who had 13 million followers on Instagram". Ford also explained how things in fashion and the media function very simple- designer makes a piece, puts it on Beyonce or Rihanna, pays them to appear on fashion shows and everybody, including B. and Riri tweet about it. Such PR is better than any  positive review of the biggest fashion critics. So, tell me why it is okay that we tweet about Rihanna's new beautiful shoes, but not about her beautiful tits? Isn't the hypocrisy of our society obvious here? In this regard, Rihanna's act, the same as that of Scout Willis, has the range of political act, because they are the ones who have the ability to influence what people think and how they think about it, they are the ones who have the ability to say to women - love your body and don't be ashamed of it, everyting is just fine with our tits! Who is Instagram to tell us different!



watch this too: 



sources for the texts: 






Senin, 02 Juni 2014

Don't Fear the Nipple! part 2 - Zašto je golotinja pornografija i zašto se Scout Willis skinula?




Čak i kada govorimo o golotinji, često koristimo krive termine i olako se razbacujemo pojmovima kao što je pornografija, bez da uopće zaista poznajemo značenje te riječi. Pornografija bi izvorno trebala značiti „ilustriranje bludničenja.“ Za razliku od erotike, pornografija ne teži umjetničkom izražavanju, već što vjernije želi opisati spolni čin, s ciljem pobuđivanja spolnog nagona. Stoga razumijem da je jedan Instagram protiv pornografije, ali kako ženske grudi mogu biti pornografija? Što je tu točno pornografija? I zašto su ženske bradavice sramotne, a muške ne? Radi se samo o ustaljenom konceptu – muške grudi i bradavice su OK, ženske grudi i bradavice nisu OK! Kao što nije u redu da žena jasno kaže da voli seks ili da prizna kako je seksualno biće koje se dira ili gleda porniće. Već stoljećima, kako u ženski tako i u muški mozak, sustavno se ugrađuje primisao kako žene ne smiju ili ne bi trebale uživati u spolnosti. Takav stav je logičan, ako znamo da je, barem u judeokršćanskoj tradiciji, za temeljni stav o nagosti „kriva“ upravo jedna žena. Podsjetimo, kao prvi ljudi na zemlji, Adam i Eva bili su nagi. Golotinja se često poistovjećuje sa slobodom upravo zbog priče o Adamu i Evi te je metafora za nevinost, sigurnost i svijet koji je za nas, Božju djecu, savršeno uređen. No, iz njega smo prognani kad smo odrasli, odnosno kad smo poželjeli misliti vlastitom glavom, odnosno kad je ona drolja Eva probala jabuku.



S tim da u ovom slučaju sise čak nemaju ništa sa spolnošću, nego su jednostavno prikazane kao sise, a sise su za vašu informaciju sasvim normalan dio tijela. Hoćemo li se više prestati iščuđavati nad ljudskim tijelom? Već zadnjih nekoliko tisuća godina nije se dogodilo baš ništa revolucionarno s našim tijelom, nema novih rupa ili dodatnih udova! Također, ne razumijem čuđenje nad nagim ženskim tijelom budući da stvaranje aktova od tijela golih žena nije nikakvo čudo. Sjećate se Manetovog "Doručka na travi" ili njegove "Olympie"?  Umjetnost i golotinja jesu povezane, kao i što su i modna fotografija i golotinja. Po čemu je modna fotografija manje vrijedna i više prljava od one umjetničke i umjetnosti u cjelini? 






Konačno, pokazivanje ženskih grudi je i pitanje slobode. U ovom konkretnom slučaju Rihannina kretivna sloboda je direktno ugrožena, a društvene mrežu jesu i sredstvo kreativne slobode. Uostalom, nismo li slobodni do one granice do koje ne štetimo drugima? Kako jedna naslovnica na kojoj su nečije grudi prikazane, baš onakve kakve jesu, bez laži, bez fotoshopa, bez straha da se u nama stvori još jedan novi kompleks zbog neralno lijepih tijela, može štetiti drugima? Pogotovo jer ne prikazuje golotinju kao pornografski čin, kao produkt niskih strasti, nego kao erotski nabijenu sliku nage žene. I ne govori li nam slučaj s Rihanninom naslovnicom da se moramo sramiti svog tijela pogotovo ako nismo prejebene bijele pičke? Jer kada nas Miley Cyrus siluje svojim polugolim anoreksičnim tijelom u bijelim gaćama, dok pritom vrlo degutantno i nimalo seksi plazi jezik, to je u redu, ali kada to nimalo vulgarno učini Riri, onda nije u redu?




Scout Willis, kćer Demi Moore i Brucea Willisa među prvim je zvijezdama koja se pridružila protestu. Scout se nedavno prošetala ulicama New Yorka u toplesu, u znak neodobravanja zabrane objavljivanja fotki golih ženskih grudi na Instagramu, na kojem je objavljivanje golih ženskih grudi zabranjeno, čak i u svrhu prevencije od raka dojki. Na svoj se način pobunila protiv ovoga. Prošetala je ulicom bez grudnjaka, a čak je i svratila do cvjećarne kako bi kupila cvijeće. "Legalno je u New Yorku, ali ilegalno na Instagramu. Ako vam se ne sviđa ono što objavljujem na svom profilu, ne morate me više pratiti na Twitteru. Osjećam se dobro u svom tijelu i odbijam dozvoliti da mi netko drugi diktira kako doživljavam sebe i svoje tijelo" rekla je Scout.




Primijetite konstrukciju "legalno"! Ne samo da nas se sustavno uči kako bi se trebale sramiti svojih tijela, ne samo da nas se uči da je naše tijelo uvredljivo, nego nam se i jasno daje do znanja da je opasno za  društvo i tuđu sigurnost! Ne kažem da bi se sad svi masovno trebali početi jebati goli po parkovima, ali samo zamislite scenu u kojoj bi žena prošetala po ulici u toplesu. Nazvali bi je ludom i strpali u zatvor radi remećenja javnog reda i mira! Ne čini li se to pretjeranim, ako znamo da je muškarcu dopušteno da hoda u toplesu?





Scout se na svoj čin nije odlučila iz zabave! Ona je samo jedna u nizu žrtava Instagrama. Naime, nedavno je objavila sliku na kojoj nosi majicu s fotografijom dvije polugole prijateljice. Za cure je to možda bio fashionili čak art, a za Instačje bio čin zlouporabe. Kako su obavijestili Scout, njen čin gurnut je u kategoriju “instances of abuse", a ona je ispraćena s ove društvene mreže. "Moja situacija ni u kojem slučaju nije bila jedinstvena. Žene se redovito izbacuje s Instagrama jer objavljuju fotografije i to s najmanjim prikazom bradavice, dok one na kojima su su bradavice pokrivene - degradirajuće koliko god bile – ostaju neprimijećene! ", rekla je Scout. Situacije u kojima su se Riri, Anja Rubik i Scout našle, možda su neugodne, ali su u isto vrijeme snažan pokretač dijaloga i razbijanja tabooa. A mi zaista moramo govoriti o stvarima kao što su: dojenje na javnom mjestu, slut shaming, fat shaming, podizanje svijesti o raku dojke, zdrav stav spram vlastitog tijela, rodna nejednakost i cenzura.





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Don't Fear the Nipple!  part 2 -  Why is nudity pornography and  why did Scout Willis took off her clothes?



Even when we talk about nudity, we often use wrong terms and concepts such as pornography, without even really knowing the meaning of that word. Pornography originally means "illustration of the harlotry". Unlike eroticism, pornography doesn't pursue artistic expression, but faithfully wants to describe a sexual act with the aim of inducing sexual desire. So I understand that Instagram is against pornography, but how can female breasts be pornography? How exactly is this pornography? And why are female nipples shameful and male aren't? It's just a concept - male breasts and nipples are OK and female breasts and nipples are not OK! As it is wrong that a woman makes it clear she loves sex, or that she admits she is a sexual being who touches herself or watches porn. For centuries, both in the  female and  the male brain, a thought that women should not enjoy sex, is systematically incorporated. This attitude is logical, if we know that, at least in the Judeo-Christian tradition, basic attitude about nudity comes from blaming just one woman. Let's recall, as the first people on earth, Adam and Eve were naked. Nudity is often equated with freedom because of the story of Adam and Eve, and is a metaphor for innocence, security, and the world perfectly arranged, for us children of God.  However, we were banished from it when we grew up, and when we wanted to think with our own head, or when the slut Eve tasted the apple.




And by the way,  in this case,  tits don't even have nothing to do with sexuality, but are simply shown as tits and tits are for your information a normal part of the body. When will we stop being bewildered by the human body? For the last several thousand years nothing revolutionary happened with our body, no new holes or extra limbs! Also, I don't understand the perplexity over the naked female body since the creation of acts of naked female bodies is no new thing. Remember Manet's "Breakfast on the Grass" or his "Olympia"? Art and nudity are related, as well as fashion photography and nudity. So what makes fashion photography less valuable and more dirty than art photography and art in general? 




Finally, the display of female breasts is a question of freedom. In this particular case, Rihanna's creative freedom is directly threatened, and social networks are a means of creative freedom too. After all, are we not free to the extent that we don't harm others? How can a display of one's breasts, just as they are, without lies, without photoshop, without fear that it will create another new complex in us due to the unrealistical beautiful female bodies, harm others ? Especially since it isn't showing nudity as pornography, a product of low passions, but as an erotically charged image of a naked woman. And isn't the case with Rihanna's cover telling us that we should be ashamed of our bodies, especially if we are not, awesome white bitches? Because when Miley Cyrus rapes us with her half-naked anorexic body in white underwear while pulling her tongue out very disgustingly and not sexy at all, that's fine, but when Riri does it not vulgar at all,  it is not fine ?




Scout Willis, daughter of Demi Moore and Bruce Willis is among the first celebrities who joined the protest. Scout recently walked the streets of New York topless, in a sign of disapproval prohibiting the publication of photos of naked female breast on Instagram, where the display of naked female breasts is prohibited, even in the prevention of breast cancer. In her own way, she rebelled against this - strolling down the street without a bra, and even stopping at a florist to buy flowers. "It's legal in New York, but illegal on Instagram. If you don't like what I publish on my profile, you don't need me follow me on Twitter. I feel good in my body and I refuse to let someone else dictate how I perceive myself and my body ", said Scout.



Note the construction of "legal"! Not only that we are systematically taught to be ashamed of our bodies, not only do they teaches us that our body is offensive, but they also make it clear that it is dangerous to society and other people's safety! I'm not saying we should all go and have naked sex in the park, but just imagine a scene where a woman walks down the street topless. She would be called crazy and put in prison for the sake of disturbing the peace! Doesn't it seem a bit too much, if we know that men are free to walk topless ?




Scout didn't decide on her act for fun! She is just one of many Instagram victims. She recently published a picture of herself wearing a shirt with a picture of her two half-naked girlfriends. For girls it may have been a fashion or even art thing, but for Instagram it was an act of abuse. How they informed Scout, her act was pushed into the category of " instances of abuse ," and she was escorted from this social network. "My situation was in no way unique; women are regularly kicked off Instagram for posting photos with any portion of the areola exposed, while photos sans nipple -- degrading as they might be -- remain unchallenged.", said Scout. Situations in which Riri, Anja Rubik and Scout found themselves, may have been unpleasant, but at the same time they are a powerful driver of dialogue and breaking taboos. And we really have to talk about things such as : breastfeeding in public, slut shaming, fat shaming, awareness about breast cancer, healthy attitude toward one's own body, gender inequality and censorship .





Don't Fear the Nipple! part 1 - Zašto je Instagram popizdio na Rihannine cice?



Kada Lars von Trier stavi cice (i pičku) u mainstream kina, na to gledamo s gnušanjem, ali ne zato jer je film pun mizoginičnog podkonteksta, nego zato jer se ovaj ekscentrični redatelj usudio pokazati golotinju i to prvenstveno onu žensku, pred čednim pukom. Kada nam Terry Richardson gurne isto u obliku svoji fotografija, i na taj čin gledamo s gnušanjem, ali ne zato jer je Terry navodni pervertit koji iskorištava mlade modele, nego zato jer je tako javno pokazao te sramotne cice ili nedaj bože pičku. Strah od cica (i pičke, ali u ovom tekstu zadržati ću se samo na cicama), pogotovo ako se vide i bradavice, prerastao je izgleda u epidemiju. U golemom popisu fobija na wikipediji, nisam našla naziv za onu koja bi definirala i opisala strah od ženske sise, ali vjerujte mi on je tu. On je toliko tu da čak ni velikoj Rihanni, zločestoj curi kojoj opraštamo baš sve jer nas njen seksipil baca na koljena, nismo oprostili kada nam je na Instagramu pokazala navedene atribute. Naime, nakon sjajne naslovnice za francuski Lui, Riri je na Instagram uploadala sliku iste. Čineći to nije računala na činjenicu da bi navedeni čin mogao povrijediti religijske osjećaje i moralne kodove nekih njenih fanova koji su je prijavili Instagramu.



Rihanna naravno nije dala da cijela stvar ode u zaborav samo tako. Svoju golišavu fotografiju, zamijenila je onom ironično konzervativnom, na taj način prozivajući ovu društvenu mrežu. Instagram je pak vrlo jasan kada je riječ o golotinji- ne možete objavljivati golotinju i sadržaj za odrasle bilo koje vrste, što fotografe, modele pa evo čak i Rihannu dovodi u neugodne situacije, odnosno pred gotov čin – maknite golišave fotografije ili ćemo vam izbrisati korisnički račun.



No, zločesta cura s Barbadosa nije jedina žrtva Instagrama kada pričamo o zabrani golotinje. Ranije ove godine, model Anja Rubik izbačena je s ove društvene mreže jer je na korisničkom računu svog novo pokrenutog magazina "25" objavila svoju sliku u transparentnoj kreaciji mladog belgijsko- talijanskog dizajnera Anthonya Vaccarella, mlade nade moderne fashion avangarde. Radi se o kreaciji za njegovu jesensku kolekciju za 2014. predstavljenu na Paris Fashion Weeku. 



Oni koji poznaju rad Anje Rubik,  znat će da je Anja mogla objaviti i puno "gore" fotografije, budući da se ovaj model ne boji skinuti do kože. Anja se vratila na Instač, ali je u znak protesta napravila t - shirt koji jasno poručuje:  "Don't Fear the Nipple", te je izjavila kako je cijela stvar smiješna te kako krivi ovu društvenu platformu jer cenzurira fotografije koje slave ljepotu ženskog tijela. 



Anja čini se tu neće stati jer svojim časopisom "25" koji ne nudi samo predivne erotizirane fotografije modela, nego i pravih žena, želi promijeniti stvari. Primijetite kako sam upotrijebila konstrukciju "pravih žena", jer upravo u tome leži problem- polugole, fotoshopirane žene u filmovima, reklamama i na jumbo plakatima u OK, ali slike žena, onakve kakve jesu, gole, prirodne i predivne nisu! U kakvom to apsurdnom svijetu živimo? "Žene se ne bi smjele osjećati kao da moraju pokrivati svoja tijela, ako pogledate 60- e i 70- e, žene su bile slobodne u svojim tijelima, sva ta cenzura čini žene nesigurnima i tu je veliki problem!", rekla je Rubik za Style.com te dodala: "Mislim da je to sve jako čudno. Tjera nas se da mislimo kako bi trebali imati komplekse oko svojih tijela. Šalje se poruka da su naša tijela neprirodna i ružna, i mislim da bi se žene trebale boriti protiv toga. Pričanje o seksu i golom tijelu postali su takav taboo, i upravo u tom trenutku ljudi počinju imati problem- kada ne mogu otvoreno pričati o tome. Moramo biti ponosni na svoja tijela. Danas stvaramo lažne ideale ljepote slikama žena koje su fizički izmijenjene, a žene se trude postići ove sulude nerealistične ideale. Ali čim pokažemo ženu prirodnu i golu, to je odmah problem, ne razumijem to?"

U tom pogledu, pokazivanje golotinje je zapravo i aktivistički čin! Jer živimo u društvu u kojem je seks koji nije reproduktivan ili u svrhu prodaje izrazito tabuiziran. 

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Don't Fear the Nipple!   part 1 - Why was Instagram mad at Rihanna's tits?



When Lars von Trier put tits ( and  pussy ) in mainstream movie theaters, we look at it with disgust, but not because the film is full of misogynistic sub context, but because this eccentric filmmaker dared to show nudity, and primarily female nudity, in front of a modest crowd. When Terry Richardson shoves the same  in  front of our eyes in the form of his photographs, we look at it with disgust, but not because Terry is an alleged pervert who exploits young models, but because he so publicly demonstrated those shameful tits or God forbid pussy. Fear of the tits ( and pussy but in this article I will just keep my focus on tits), especially if you see the nipple, has grown into an epidemic, it seems. On the huge list of phobias on wikipedia, I didn't find one that would name and describe the fear of women's breasts, but trust me it's there. It's here so much that we even didn't forgive big Rihanna, the naughty girl whom we forgive everything because her sex appeal throws us to our knees, when she put the picture that shows the above mentioned attributes on  Instagram. After the great headline for the French magazine Lui, Riri uploaded a picture of it on the Instagram. In doing so she didn't take into consideration the fact that the above mentioned act could hurt religious feelings and moral codes of some of her fans who reported her to Instagram.


Rihanna of course didn't let the whole thing slide away just like that. She replaced her nude photo with an ironically conservative one, calling out this social network that way. Instagram is however very clear when it comes to nudity - you can not publish nudity and adult content of any kind, which puts photographers, models, and this time even Rihanna into an awkward situation, or a fait accompli - remove the nude photos or we will delete your user account.



But the bad girl from Barbados is not the only Instagram victim when it comes to banning nudity. Earlier this year, model Anja Rubik got kicked off from this social network because she published her picture in the transparent creation of  Belgian- Italian designer Anthony Vaccarello, a young hope of the modern fashion avantguard, on  the account of her new released magazine "25".  It is a creation for his Fall 2014 collection shown at the Paris Fashion Week.


Those familiar with the work of Anja Rubik, will know that Anja could publish a lot "worse" photos, since this model is not afraid to take off her clothes at all. Anja returned to Instagram, but out of protest she made a t - shirt that clearly says : "Do not Fear the Nipple", said that the whole thing is ridiculous and blamed this social platform for censoring images that celebrate the beauty of the female body.


It seems that Anja will not stop here because her magazine "25" which not only offers beautiful eroticised photos of models, but also those of real women, wants to change things. Notice how I used the construction "real women", because this is precisely where the problem lies - half-naked, photoshopped women in movies, commercials and on billboards are OK, but the image of women as they are, naked, natural and beautiful are not! What kind of an absurd world do we live in? "Women shouldn’t feel like they need to hide their bodies. If you look at the sixties or the seventies, women were free and comfortable in their bodies. All this censorship can start to make women feel uncomfortable, and that’s a very big problem", said Rubik for Style.com and added "I think it’s very strange. It makes us think that we should have some kind of complex about our bodies. It sends the message that our bodies are unnatural and not beautiful, and I think women need to fight this. Talking about sex and the naked body has become such a taboo, and that’s when people start having problems—when they can’t be open about it. We need to be proud of our bodies. We create all these really fake ideals of beauty nowadays with images of women that are physically altered, and women are trying to attain these insane, unrealistic ideals. But we show a natural woman naked and that’s an issue? I don’t understand it. "

In this aspect showing nudity is actually the activist deed ! Because we live in a society where sex, if it’s  not reproducible or for trading purposes, is a taboo.

Svinja u pivu s korijanderom!


Tajni sastojci za ovo jelo su piva i korijander. Piva će jelu dati poseban okus, a korijander će ga zbog svoje slatkoće učiniti nezaboravnim iskustvom!

Sastojci za 4 osobe:
600 grama narezane svinjske vratine
2 veće glavice luka
2, 3 režnja češnjaka
senf
3, 4 dcl pive
začini : crvena paprika, sol, biber, korijander



Šnicle začinite po želji i namažite senfom. Stavite ih da se peku dok ne dobiju boju (ako želite biti hard core all the way koristite domaću mast). Izvadite šnicle, a na istu tavu gdje ste pekli šnicle bacite luk. Dinstajte luk dok ne postane staklen, zatim unutra opet ubacite šnicle, zalijte pivom, dodajte začine i pustite da se dinsta dok meso ne omekša, što je otprilike 45 minuta. Kao prilog odlično paše restani krumpir s jednim posebnim dodatkom osim uobičajene crvene paprike, a to je curry!

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Pork in beer with coriander


Secret ingredients for this dish are beer and coriander. Beer will give the dish a special flavor and coriander because of its sweetness, will make an unforgettable experience from it!

Ingredients for 4 people:
600 grams of sliced pork neck
2 large onions
2 -3 cloves of garlic
mustard
3- 4 deciliters of beer
spices: red pepper, salt, black pepper, coriander




Season the steaks to taste and spread mustard on them. Fry them until they get nice brown colour (if you want to be hard core all the way, use homemade fat). Remove the steaks and then fry the onions on the same pan where you fried the steaks. Fry them until they get glassy, then throw in the steaks again, pour beer inside, add spices and let it all fry until the meat is tender, which is about 45 minutes. As a side dish it's great to make potato hash browns with one special addition besides the usual red pepper - curry!

Intervju s Majom Rivić -mladom glazbenicom u usponu i pjevačicom nekadašnje Spine!


Jednom davno postojao je taj bend Spina, bend koji i dalje volim poslušati i koji je ako mene pitate, zbog svog zavodljivog zvuka i jednako takve pjevačice trebao postati golem. Spina je budila miris zadimljenog, mračnog francuskog kafića i bolno primamljive francuske šansone u modernom izričaju, a glas i stajling pjevačice benda Maje Rivić, svakako je doprinosio tom doživljaju. Spine više nema, ali zato sam šetajući bespućima Facebooka naletila na tu istu Maju Rivić za koju sam prije toliko godina, kada sam je ugledala na stejđu zagrebačkog Kseta pomislila: "Gle kakva zanimljiva djevojka!" E pa što ova zanimljiva djevojka radi danas pročitajte u recima koji slijede...




Fashionbabica: Tko je ta Maja Rivić?

Maja: Maja je, Maja traga za identitetom i značenjem. Pokušava se izraziti kroz kompoziciju u grafičkom i glazbenom mediju, spoznati sebe i svijet oko sebe.

Fashionbabica: Trenutno si u Londonu? Kako je došlo do odlaska u London i kakav je život u Londonu?

Maja: Sredinom 2009. niti jedan od dva sastava (Spina i Kreol) u kojima sam dotad djelovala više nije postojao, moj studij Grafičke tehnologije bio je pri kraju, a moja glad za svijetom sve veća. Moj dečko Mak, glazbenik i student arhitekture, i ja, počeli smo sanjariti o studiranju glazbe negdje van Hrvatske, te smo otišli na audiciju Londonskog centra za suvremenu glazbu, LCCM, prošli, i krajem rujna iste godine, uz podršku naših obitelji odselili u London, na godinu dana. Taj se boravak produžio, i evo nas još uvijek u Londonu, nakon tri i pol godine. Život u Londonu je i dalje život, koji osoba nosi svugdje sa sobom..Geografske, demografske i kulturološke dimenzije ovoga grada skrivaju njegov horizont, i čini se kao da mogućnostima nema kraja...



Fashiobabica: Što se dogodilo sa Spinom?

Maja: Spina su bila moja glazbena hodalica, u kojima sam učila dijeliti svoju glazbenu strast s drugima. Stvarali smo momentalno, nismo imali ambicije za budućnost, samo smo htjeli nastupati, spajati se jedni s drugima i publikom..u trenutku kada smo sazreli za napredovanje u autorskom smislu, prirodno smo se razišli..samo tako..s tugom i srećom u srcima..

Fashionbabica: Imaš širok raspon glazbenih utjecaja, od jazza preko gypsya, swinga i world musica do bluesa i soula pa čak elektronike i eksperimentale, od Elle Fitzgerald do Knifea i Debussya! Od kud tolika glazbena širina? I može li se sve to zapravo vješto spojiti u konačan proizvod?

Maja: Tragamo za glazbom koja će nas dodirnuti, izbaciti iz takta, razumjeti, preispitati.. Puno je ljudi na svijetu, vjerojatnost je velika da će takve glazbe biti u svim žanrovima..stoga je sasvim razumljivo da sam, tragajući za takvom mogućnosti, u jednom periodu života uživala u hip-hopu, elektronskoj glazbi, soulu, bluesu, jazzu, folkloru, klasičnoj glazbi..

U svojim kompozicijama i aranžmanima, koje spremam za novi sastav, pokušati ću objediniti sve te utjecaje i doživljaje. Ne znam hoću li uspjeti..

Fashionbabica: Osjećaš li se više kao glazbenica ili kao grafička dizajnerica?

Maja: Mislim da i jedan i drugi output služe istoj svrsi - prepoznavanju i aranžiranju estetskih kriterija koji mi pružaju osjećaj harmonije između onoga što želim svjesno i onoga nesvjesnoga. Jednako sanjarim radeći i jedno i drugo..ipak, čini se da element live nastupa u glazbi pruža onaj vitalni osjećaj putovanja..i to je onda to.



Fashionbabica: Tvoji trenutačni glazbeni projekti zovu se Mimika Mak Murtić Ensemble i Majmak. Reci nam nešto o njima.

Maja: Mimika Mak Murtić Ensemble je jedan veliki organizam, kojega pokreće stvaralačka energija usidrena u voljenom biću - Mak. Kroz Mimiku Mak oživljava svoje interpretacije suživota svih bića na Zemlji i Svemiru, njihovu prošlost, sadašnjost i budućnost. Kroz Mimiku ja učim i rastem u ulozi vokala kojega prati 15 izrazitih Londonskih glazbenika.. Makove kompozicije koje izvodi Mimika profinjen su kolaž jazz harmonije, inteligentnih aranžmana, svjetskih folklornih nasljeđa, suvremenih groove-ova, impresionističkih slika koje veličaju život..Mimika je u mom srcu.

Majmak nastaje kad god Maja i Mak, kao vokal i saksofon duo, ili primjerice kvintet s dodatnim bubnjevima, tubom i trubom sviraju jazz i balkanske standarde kako bi razveselili ljude u slavljeničkim prilikama za džeparac.




Fashionbabica: Imaš zanimljiv modni izričaj, onako dosta retro! Posvećuješ li pozornost tome što ćeš obući u smislu da njeguješ taj svoj neki specifičan stil ili?

Maja: Mislim da više nije retro :) U međuvremenu moj se modni identitet reducirao na nužno, tj. ono maksimalno što mogu konceptualno podnijeti, a to su ravne linije, jednobojni komadi. Zapravo, izgleda da sam se na neki način nesvjesno i protiv svoje volje počela odijevati Londonski..

Fashiobabica: Gdje kupuješ krpice?

Maja: U posljednje vrijeme ih ne kupujem, nosim staru odjeću..
Međutim, kada bih si mogla priuštiti, moj bi se senzibilitet udomio u kućama konceptualnih, minimalističkih dizajnera - umjetnika.
Fashionbabica: Planovi za budućnost?

Maja: Nisam sigurna jesu li to planovi ili želje, no voljela bih biti bolja u svakom pogledu, u odnosu na sebe sada..kreirati glazbene i vizualne impresije koje će ocrtavati mene kao biće u ovom apstraktnom svijetu..dodirivati druga bića svojim nastupima i izdizati se iz materijalnosti..



Fashionbabica: Neka ugodna misao za kraj?

Maja: Potpuno nereligiozna i nespiritualna misao koja me dubinski ostavlja zatečenom, je misao o tome, kako živimo u šumi referentnih točaka i kako se sve što "znamo" nalazi unutar nečega što "ne znamo".....

Živjele vrlo vjerojatne i potpuno nevjerojatne: Svijest i Ljubav u Svemiru....


https://myspace.com/spinaband/music/songs
http://majarivic.com/



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Interview with Maja Rivić-young aspiring musician and a singer from the band once known as Spina!


Once upon a time there was this band Spina, a band I still love to listen to and which, is if you ask me, should have been enormous, because of its seductive sound and lead singer. Spina awakened the smell of smoky, dark French cafes and painfully attractive French chanson in a modern expression, and the voice and the styling of the band's singer Maja Rivić, certainly contributed to this perception. Spina no longer exists, but never the less, walking through the wilderness of Facebook I ran into that same Maja Rivić for whom, so many years ago when I saw her on the stage of Zagreb's club Kset I thought: "Look what an interesting girl!" Well, what that interesting girl is doing today, read in the rows that follow ...



Fashionbabica: Who is that Maja Rivić?

Maja: Maja is, Maja is searching for identity and meaning. She is trying to express through composition in graphics and music, getting to know herself and the world around her .

Fashiobabica:  You are currently in London? What led to going to London and what is life in London like?

Maja: By the mid of 2009. none of the two bands ( Spina and Kreol ) I was a member of until then, no longer existed,  my studies at the Faculty of Graphic technology were at an end, and my hunger for the world was growing. My boyfriend Mak, a musician and  student of architecture and I started to dream about studying music somewhere outside Croatia, so we went to audition at the London Centre for Contemporary Music, LCCM, we passed, and at the end of September of the same year, with the support of our families we moved to London, for a year. This stay extended, and here we are, still in London, after three and a half years. Life in London is still a life, that person carries with him/her everywhere .. The geographic, demographic and cultural dimensions of this city are hiding his horizon, and it seems like there is no end to the possibilities ...



Fashiobabica: What happened to Spina?

Maja: Spina were my musical walker, where I learned to share my musical passion with others. We created immediately, we had no ambitions for the future, we just wanted to perform ..to connect with each other and the audience .. at  the moment we were ready to progress as authors, we naturally split .. just like that .. both with sadness and happiness in our hearts ..

Fashionbabica: You've got a wide range of musical influences, from jazz to gypsy, from swing and world music to blues and soul and even electronics and experimental music, from Ella Fitzgerald to Knife and Debussy? From where does that musical width come from? And can all this really be skillfully combined into a final product ?

Maja: We're looking for music that will touch us, throws us out of line, understands us, reassesses us .there is a lot of people in the world, it's likely that this kind of music will be found in all genres .. so it is quite understandable that, looking for such opportunities, in one period of life I enjoyed  hip - hop, electronic music, soul, blues, jazz , folk, classical music ..

In my compositions and arrangements, which I am preparing for my new band, I will try to consolidate all these influences and experiences. I do not know if I will succeed ..

Fashionbabica: Do you feel more like a musician or like a graphic designer ?

Maja: I think both outputs serve the same purpose - identifying and arranging aesthetic criteria which provide me with a sense of harmony between what I want and what the unconscious wants. Doing both I am equally daydreaming .. however, it seems that an element of live performance in music provides the vital sense of travel .. and that's it then.



Fashiobabica: Your current musical projects are called Mimika Mak Murtic Ensemble and Majmak. Tell us something about them.

Maja: Mimika Mak Murtic Ensemble is one big organism, driven by creative energy anchored in a loving person - Mak. Through Mimika Mak revives his interpretation of coexistence of all creatures on Earth and the Universe, their past, present and future. Through Mimika I learn and grow in the role of a vocal artist accompanied by 15 remarkable London musicians .. Mak's compositions performed by Mimika are a sophisticated collage of jazz harmonies, intelligent arrangements, world's folk heritage, contemporary grooves, impressionist paintings glorifying life .. Mimika is in my heart.

Majmak occurs whenever Maja and Mak, as a vocal and saxophone duo, or for example a quintet with additional drums, tube and trumpet play jazz and Balkan standards to delight people in the festive occasions for the allowance.




Fashionbabica: You have an interesting fashion expression, it's kind of retro. Do you dedicate a lot of attention to what you're going to wear in the sense that you nurture some specific style of yours ?

Maja: I don't think it is retro anymore :) In the meantime, my fashion identity reduced to the essential, that is, the maximum I can submit  to conceptually, namely straight lines, monochrome pieces. In fact, it seems that I somehow unconsciously and involuntarily started to dress Londonish ..

Fashionbabica: Where do you buy clothes ?

Maja: Lately, I don't buy them, I wear old clothes ..
However, if I could afford it, my sensibility would be housed in the homes of conceptual, minimalist designers - artists .

Fashiobabica: Plans for the future ?

Maja: I'm not sure whether they are plans or desires, but I'd like to be better in every aspect, in relation to myself now ..to create musical and visual impressions that will outline me as being in this abstract world .. to touch other beings with my performances and strive to raise above materiality ...



Fashiobabica: Some pleasant thought for the end ?

Maja: Completely non-religious and non-spiritual thought that leaves me deeply caught, the thought of how we live in a forest of reference points and how everything "we" know is inside something " we don't  know " .....

Long lived very plausible and totally unbelievable : Consciousness and Love in the Universe ....


https://myspace.com/spinaband/music/songs
http://majarivic.com/